Newly
In the November issue of ArtReview, Ramesh Mario Nithiyendran speaks with Mark Rappolt about his new show opening in Glasgow later in the month, promising it will be “very dystopian” as well as a bit Frankensteinian. Nathalie Olah and Mitch Speed contribute essays on class in the context of art, focusing on the annexation of the artworld by the ruling class. Mariacarla Molè writes on the long afterlife of Thomas Hirschhorn’s temporary monuments. Also interviews with fashion designer, artist and thinker Grace Bonner Wales, and the Brazilian artist Tadáskía, whose work is getting attention at the Bienal de São Paulo. Claudia Ross investigates Analia Saban’s critique of how value is assigned, while Amber Husain comments on the emptiness of luxury minimalism and Kuba Szreder proposes a less exploitative model for museums. Plus Adam Thirlwell on why ‘writing’ sounds better than ‘literature’, and Jamie Sutcliffe on the need for artists working as ‘gleaners’ in the debris of ever-advancing technologies. And the full complement of exhibition and book reviews from around the world.
Art ObservedThe Interview Grace Wales Bonner by Emily McDermott Writing Practice by Adam Thirlwell Belly of the Beast by Amber Husain Positions by Kuba Szreder Not So Fast by Jamie Sutcliffe Art FeaturedRamesh Mario Nithiyendran by Mark Rappolt Objects of Ridicule by Nathalie Olah Means of Production by Mitch Speed Tadáskía by Guilherme Teixeira Thomas Hirschhorn by Mariacarla Molè Analia Saban by Claudia RossArt ReviewedEXHIBITIONS & BOOKS “Pictures Girls Make”, by Jonathan Griffin Marianna Simnett, by Emily May Mestre Dicinho, by Mateus Nunes Steirischer Herbst, by Alexander Leissle Sarah Lucas, by Tom Morton Sable Elyse Smith, by Rachel M. Tang Bárbara Sánchez-Kane, by Benoît Loiseau Dom Sylvester Houédard, by Max Feldman Helen Marten, by Jenny Wu EVA International, by Rebecca O’Dwyer What Models Make Worlds, by Cassie Packard Christian Marclay, by Mark Rappolt Tomas Leth, by Jonathan Griffin María Magdalena Campos-Pons, by Zoë Hopkins Wanda Czełkowska, by Phoebe Blatton Jan Van Imschoot, by Martin Herbert Benjamin Senior, by J.J. Charlesworth Phumzile Khanyile, by Matthew Blackman In the shade of the sun, by Marv Recinto Arlette, by Salena Barry Who Does Not Envy with Me, by Maria Fusco, reviewed by Roy Claire PotterArtists Making Books: Poetry to Politics, by Venetia Porter, reviewed by Nirmala Devi Selected Nonfiction, 1962–2007, by J.G. Ballard, reviewed by David Terrien Monica, by Daniel Clowes, reviewed by J.J. Charlesworth Bring No Clothes: Bloomsbury and Fashion, by Charlie Porter, reviewed by Clara YoungZhang Xiao: Community Fire, by Zhang Xiao, Ou Ning and Ilisa Barbash, reviewed by Yuwen Jiang
Arbuckle’s Amazing Adventures
ArtReview November 2023
GBP 7.50
Product description
In the November issue of ArtReview, Ramesh Mario Nithiyendran speaks with Mark Rappolt about his new show opening in Glasgow later in the month, promising it will be “very dystopian” as well as a bit Frankensteinian. Nathalie Olah and Mitch Speed contribute essays on class in the context of art, focusing on the annexation of the artworld by the ruling class. Mariacarla Molè writes on the long afterlife of Thomas Hirschhorn’s temporary monuments. Also interviews with fashion designer, artist and thinker Grace Bonner Wales, and the Brazilian artist Tadáskía, whose work is getting attention at the Bienal de São Paulo. Claudia Ross investigates Analia Saban’s critique of how value is assigned, while Amber Husain comments on the emptiness of luxury minimalism and Kuba Szreder proposes a less exploitative model for museums. Plus Adam Thirlwell on why ‘writing’ sounds better than ‘literature’, and Jamie Sutcliffe on the need for artists working as ‘gleaners’ in the debris of ever-advancing technologies. And the full complement of exhibition and book reviews from around the world.
Art ObservedThe Interview Grace Wales Bonner by Emily McDermott Writing Practice by Adam Thirlwell Belly of the Beast by Amber Husain Positions by Kuba Szreder Not So Fast by Jamie Sutcliffe Art FeaturedRamesh Mario Nithiyendran by Mark Rappolt Objects of Ridicule by Nathalie Olah Means of Production by Mitch Speed Tadáskía by Guilherme Teixeira Thomas Hirschhorn by Mariacarla Molè Analia Saban by Claudia RossArt ReviewedEXHIBITIONS & BOOKS “Pictures Girls Make”, by Jonathan Griffin Marianna Simnett, by Emily May Mestre Dicinho, by Mateus Nunes Steirischer Herbst, by Alexander Leissle Sarah Lucas, by Tom Morton Sable Elyse Smith, by Rachel M. Tang Bárbara Sánchez-Kane, by Benoît Loiseau Dom Sylvester Houédard, by Max Feldman Helen Marten, by Jenny Wu EVA International, by Rebecca O’Dwyer What Models Make Worlds, by Cassie Packard Christian Marclay, by Mark Rappolt Tomas Leth, by Jonathan Griffin María Magdalena Campos-Pons, by Zoë Hopkins Wanda Czełkowska, by Phoebe Blatton Jan Van Imschoot, by Martin Herbert Benjamin Senior, by J.J. Charlesworth Phumzile Khanyile, by Matthew Blackman In the shade of the sun, by Marv Recinto Arlette, by Salena Barry Who Does Not Envy with Me, by Maria Fusco, reviewed by Roy Claire PotterArtists Making Books: Poetry to Politics, by Venetia Porter, reviewed by Nirmala Devi Selected Nonfiction, 1962–2007, by J.G. Ballard, reviewed by David Terrien Monica, by Daniel Clowes, reviewed by J.J. Charlesworth Bring No Clothes: Bloomsbury and Fashion, by Charlie Porter, reviewed by Clara YoungZhang Xiao: Community Fire, by Zhang Xiao, Ou Ning and Ilisa Barbash, reviewed by Yuwen Jiang
Arbuckle’s Amazing Adventures
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